When one has old motorcycles, one gets in the habit of not letting things go.
Letting things go is to surrender to entropy, and that way randomness and oily, rusty, non-functional wreckage lies.
This mechanical wreckage puts me in mind of how I’d look with similar mileage and neglect.
So you don’t.
Or at least I don’t, anyway.
These things can be substantial. Or strangely trivial.
But when they break, I fix them. Because one is a freak, but two is a trend.
I’m so not into entropy.
I was out riding the Slash 5 a while back, enjoying my favorite one laners out in the farm bottoms.
All was sunny, green — boxer drone omnipresent — I was in the zone.
My green reverie was dispelled by green and yellow menace — a big boy John Deere lawn tractor being operated with boundless enthusiasm and questionable situational awareness.
Tractors are not uncommon hereabouts, so my tractor interaction and avoidance skills are well developed and frequently exercised.
Most of them, though, are great big slow moving things which are pretty easy to detect and, except for their operator’s visibility challenges, behave in pretty predicable ways.
This one, though, was small, quick and had the distinct appearance of one that was being operated in top gear and at full throttle. While most lawn mowers — and despite the John Deere green livery, this was just a very big lawn mower — turn when they reach the end of their lawn to make the next cutting pass, this one was flaky.
It might make the customary turn. Or it might just blast straight out into my path and end up requiring its owner to replace its pretty yellow seat.
I don’t use my horn very often, but when I do…
So I resolved to announce myself, and pressed the Toaster’s left button, bracing for the customary gut punch percussive report of the trusty Italian-made Fiamm dual horns.
That couldn’t be right. So I pressed it again.
Being a recovering Catholic means one carries a lot of really bizarre images around in your head.
Upon hearing my horn, or more precisely the lack thereof, the image that flashed across my mind was…..’Castrati’.
In Catholic liturgical music, the most delicate soprano voices are provided by Choir boys who today serve their faith in this way until they hit puberty, and their voices crack.
But it didn’t always work that way.
In modern times, we’ve (mostly) concluded that one’s life and future family win compared with one’s expression of faith. But at one time if you sang beautifully enough, that choice went the other way. You’d get….altered … for Jesus, so that your voice could continue to sing his praises, and your life, well….
So cut back to the button, where my expectations were of power, of ‘A Fullness of Sound’.
I expected Pavarotti.
I got a 43 year old choirboy.
Fortunately, and likely not because of my thundering horn, Deere Man noticed me, and braked to a stop before entering the road.
The potential for our paths to intersect having been reduced to zero, I rolled back on the throttle and sped on up the road.
Back in the garage, troubleshooting was pretty straightforward.
Standing in front of the bike, I cupped my hand over the low tone horn of the low/high pair, inclined my head toward my hand, and pressed the Toaster’s left button.
No problem there.
I repeated the drill with the high tone horn of the pair.
I was treated to a comically pitiful and failing bleat.
Yup. That’s your problem right there.
I went into my office and Amazoned up a Fiamm ‘Freeway Blaster’ high tone horn.
Fast forward several days, and my postman provides me with the horn.
That evening, I popped it out of its plastic clamshell and learned a thing or two. Unlike my existing ‘Made in Italy’ horn, this one was made in a plant in Cadillac, Michigan. It was missing the cute chrome grille that probably hasn’t been made for 25 years. And it was designed to operate with two wires, not the ‘hot and frame ground’ method used by my antique example. To allow it to be used, the Fiamm guys had included a nice pre-wired terminal and jumper which would work in one terminal applications. After a few moments unsuccessfully searching for some “+”s and “-“s, I reviewed the minimal documentation, which stated that the horn “was not polarity sensitive”.
I walked out to the garage, a pulled a 10mm wrench out of the tool chest. I spun the nut off the existing horn, pulled the wire terminal off and removed the horn. When I went to drop the old horn in the shop trash — how many miles had this thing seen since 1985? — a full two tablespoons full of dirt fell out of the horn’s mouth.
I had prewired the jumper inside, so wired up the hot wire, tightened up the nut and was done — total elapsed time about 25 seconds.
I pressed the button.
The walls shook — we had Pavarotti, The Mighty Hammond Organ and The Mormon Tabernacle Choir all at once.
It might be a Cheezy Physics Trick, but it is a good one.
Each of these two horns is audible, but by itself nothing special.
But put two of them together, and the interference patterns made by the two selected notes create the kind of din you really want if someone is trying to kill you with their vehicle. 1+1 equals the sonic equivalent of the 5:19 to Moline.
Entropy temporarily vanquished. Bring on the John Deere Lawn Tractors.